Showing posts with label RPC Activities and Related. Show all posts
Showing posts with label RPC Activities and Related. Show all posts

Thursday, October 6, 2011

Nana Yanful: Intern at Pathways

Nana Yanful, a law student and a Canadian of Ghanaian descent joined the Pathways, West Africa team from May to July, 2011. Below is an interview about her experience.


1. How did you get to know about Pathways of Women's Empowerment in Ghana?
I learned about Pathways through my online research for a project or organization that was using law, social work, policy, etc., to enact change, specifically in the lives of women in Ghana. I stumbled across the Pathways blog, and I instantly loved the work that was being done in Ghana. I had just received a fellowship from my Law school in Canada to go somewhere in the continent of African to contribute to something I was interested in continuing in my legal career. The Pathways project seemed like the right fit. I emailed Akofa Anyidoho for more information, and the rest is history!

2. What informed your decision to do your internship with Pathways of Women's Empowerment in Ghana?
During my research for projects or groups working towards sustainable change in Ghana, I found it hard to find something that was not run by an organization in England, France, the US or Canada. The Pathways project, although partly funded by funds from abroad, is run by Ghanaian women - and many of the women are academics who are committed to working and engaging in Ghana. That was something rare in my mind, and I looked forward to learning more about this, especially in a country like Ghana, where many young people from abroad go there to do "development" work. I was interested to see how I could contribute as a Ghanaian born in Canada.

3. During your internship what work were you engaged in?
I assisted Akofa Anyidoho with the Pathways Photo Exhibition research, collection of photos, and preliminary curation of the exhibition. I also assisted Professor Manuh and Dr. Darkwah in their research on women's work, civic and political participation and empowerment.

4. What were you hoping to learn from Pathways?
I was hoping to learn more on the legal aspect of these initiatives, for example, the forced eviction issue that was mentioned on the Pathways blog. I had hoped to work more with young women and students on campus on some of the issues we were researching, and doing more one-on-one work with community members.

5. Did your experience meet your expectations?
It was a good experience, however, because I came during the summer months, many were away taking their much needed vacations. So at the beginning the work was slow. As mentioned in #4, I had hoped to do more one-on-one work, but overall it was a nice experience.

6. What is ONE new thing you learnt from working with the Pathways team in Ghana?
Issues of sexism and homophobia (gender-based violence) are everywhere in the world. These are issues we as human beings are dealing with all around the world. I was surprised to hear many progressive views by people at Pathways around issues of homophobia, and that was a positive thing.

7. In ONE word, describe your experience.
Interesting!

Thanks for choosing to intern with us and thanks for the interview, Nana!

Thursday, January 20, 2011

Coming Soon! The Launch of The Witches of Gambaga

The launch of The Witches of Gambaga is scheduled for Tuesday, 15th February, 2011 at the British Council Hall, Accra, Ghana at 10:00am.

So what is this film about? Curious? Read on!

The Witches of Gambaga is a haunting 55 minute documentary film about a community of women condemned to live as witches in Northern Ghana. Made over the course of 5 years, this disturbing expose is the product of a collaboration between members of the 100 strong community of 'witches', local women's movement activists and feminist researchers, united by their interest in ending abusive practices and improving women's lives in Africa. Painful experience and insight combine to generate a uniquely intimate record of the lives of women ostracized from their communities. Told largely by the women themselves, their incredible stories and struggles are rendered comprehensible to a wide range of audiences by the director’s narration. Completed in July 2010, Fadoa Films Ghana and UK, Directed by Yaba Badoe, Co-produced by Yaba Badoe and Amina Mama.

  • Winner, 2010 Black International Film Festival Best Documentary Award.
  • Has been selected to be screened at FESPACO 2011

REVIEWS of The Witches of Gambaga

"An excellent exploration of how women are victimized ...a valuable resource for understanding how to end this problem." Cornelius Moore, California Newsreel

“An admirably unsensational but powerfully affecting reminder of the terrible influence still wrought by superstition on the lives of so many women.” Geoff Andrew, film critic, British Film Institute

“A brave and brilliant production” Hope for the African Village Child Trust

“...will go a long way to promote the rights of women...” African Women’s Development Fund


Click here to see the trailer of the film on You Tube.



Yaba Badoe is a Ghanaian-British documentary filmmaker and writer. A graduate of King’s College Cambridge, she worked as a civil servant in Ghana before becoming a General Trainee with the BBC. She has taught in Spain and Jamaica and has worked as a producer and director making documentaries for the main terrestrial channels in Britain. Her short stories have been published in Critical Quarterly and in African Love Stories: an anthology edited by Ama Ata Aidoo.In 2009, her first novel, True Murder was published by Jonathan Cape. Her TV credits include: Black and White, a ground-breaking investigation into race and racism in Bristol, using hidden video cameras for BBC1; I Want Your Sex, for Channel 4 and a six-part series, VSO, for ITV. African Love Stories is now available in Swedish from Tranan publishers under the title Kärlek x 21.



Amina Mama is a Nigerian feminist activist, researcher and scholar, who has lived and worked Nigeria, South Africa, Britain, the Netherlands and the USA. She spent 10 years establishing the University of Cape Town’s African Gender Institute and is founding editor of the African journal of gender studies, Feminist Africa. She authored Beyond the Masks: Race, Gender and Subjectivity (Routledge 1995), Women’s Studies and Studies of Women in Africa (CODESRIA, 1996), and co-edited Engendering African Social Sciences (CODESRIA 1997). She is currently developing a transnational activist research initiative on gender and militarism and pursuing her interest in documentary film. ‘The Witches of Gambaga’ is her first film.
She currently lives in Berkeley and works at University of California, Davis as Professor and Director of Women and Gender Studies.



Tuesday, September 14, 2010

What is Women's Empowerment?

Through the various projects, the Pathways of Women's Empowerment have been learning about women's empowerment in different contexts and how they translate into women's everyday lives, policy interactions among others.

Below are videos interviews of some the researchers of the West Africa hub talking about what they understand by women's empowerment and what has come up in their research work in relation to women's empowerment.

Takyiwaa Manuh


Akosua Adomako Ampofo



Dzodzi Tsikata



Awo Asiedu



Nana Akua Anyidoho


Akosua Darkwah



What is your own understanding of women's empowerment? What experiences, observations or research has informed your definition of women's empowerment?

Do share your thoughts,
Akofa.

Wednesday, December 30, 2009

Launch of Winning Songs: Changing Representations of Women in Popular Music


Launch of Winning Songs: Changing Representations of Women in Popular Music
Alison Roadburg*

On Saturday, 21st November 2009 the Launch of Winning Songs: Changing Representations of Women in Popular Music event was held at Alisa Hotel, Accra. This event was sponsored by the Pathways of Women’s Empowerment Research Project Consortium (RPC), West Africa Hub of the Center for Gender Studies and Advocacy (CEGENSA), and the University of Ghana. The purpose of the event was to share the three winning songs from a contest launched in April with the public. The competition looked for song entries that counter the stereotypical roles in which women are seen in the popular music industry. (Left to right: Dr Awo Asiedu, Kwabena Quaku and Prof. Akosua Adomako Ampofo. Photo Credits: Akofa A. Anyidoho)

Today, there are many songs that objectify women sexually, and that reinforce the need to be submissive, or that place them solely in the domestic sphere. The reality is that women have many characteristics, talents and responsibilities that are often ignored. Since the media and popular culture play such a large and influential role in our lives, we need to use these vehicles to transform the negative images and depictions of women. The Women in Popular Music project of the West Africa RPC launched the contest to catalyze such transformation.


After assessing the 26 submissions including 2 by women, a judging committee of 9 people from varying backgrounds and expertise chose the winning three songs based on a set of criteria that captured the lyrical strength, musical quality and innovation. Kwabena Quaku’s ‘As Long As You Are a Woman’, won the first place prize, Osei Korankye’s song, ‘Emmaa Mmo’ came in second and Born Africans, ‘Equal Rights’ was adjudged third. All artists were awarded a recording of their song, and the winner, Kwabena Quaku was also granted a music video.

The launch was informative, moving and inspiring. Ms. Jessica Opare-Saforo, from Citi FM was the MC for the event and she eloquently introduced the performers and various speakers.

(Jessica Opare-Saforo introduces Bibi Brew; Photo Credits- Geoffrey Buta)

The Pro-Vice Chancellor of the University of Ghana, Professor Kwesi Yankah made some comments about the way in which women are represented in popular culture and noted the importance of the University coming into town and linking up with those on the ground in their research.

Professor Takyiwaa Manuh, the Convener of the West Africa Hub of Pathways of Women’s Empowerment RPC, introduced project to the gathering. She explained that it is a under a five year contract sponsored by the UK Department for International Development and the Norwegian Foreign Affairs ministry which seeks to explore the complex pathways that women around the world have traveled to empower themselves. (Prof. Takyiwaa Manuh, speaking about Pathways WE RPC at the event the Photo Creidts: Kwabena Danso)

Professor Akosua Adomako Ampofo, the head of CEGENSA introduced the Centre, explaining its mandate, areas of specialty and functions at the University of Ghana. She explained the purpose of the Popular Music Project highlighting the importance of the song competition. She drew on some artists, such as Miriam Makeba and Bono from U2 as socially conscious messages, as well as successful musicians.

Two students from the University of Ghana recited poetry on women’s empowerment and another student from SOS Hermann Gmeiner International College sang a song titled, “Amazing.” Ms. Bibie Brew, a veteran musician, excited the audience with strong rendition of some popular old tunes.

The evening continued with the performance of all three songs as well as Kwabena Quaku’s song video. ‘As Long As You Are a Woman’ highlights influential and prominent female figures who are appreciated members of society because of their work and expertise--not their bodies. The audience surely felt the energy from all of the performances, and many left their seats to dance!

(Kwabena Quaku singing "As Long as You are a Woman" at the Event)
(Photo Credits: Geoffrey Buta)

Pathways and CEGENSA is bringing about change. The time has come to look at the messages that are being spread in today’s popular music and to look closely at how these differ from reality!! ‘The Launch of Winning Songs: Changing Representations of Women in popular Music’, was a gateway to this change, but it should not stop there. We need to facilitate the composition of songs that positively reflect women and their diverse roles in society.

(Dancing to old tune renditions by Bibi Brew; Photo Credits; Geoffrey Buta)


(The Ghana Dance Ensemble dancing 'Adowa,' a local dance of the Akans.)

*Alison Roadburg is a recent graduate of McGill University, Canada and is research intern at The Center for Gender Studies and Advocacy (CEGENSA) at the University of Ghana, Legon.




Monday, November 23, 2009

The Winners of the Popular Song Competition are:


1. Collins Amponsah a.k.a. Kwabena Quaku: As Long As You are a Woman

Kwabena Quaku with his guitar, during a video shoot. (Photo Credits: Akofa Anyidoho)


Kwabena Quaku receives his award from Prof. Kwesi Yankah, the Pro-Vice Chancellor of the University of Ghana.
TVO Lamptey, Dennis Abeiku, Diana Hopeson, Akosua Adomako Ampofo, Takyiwaa Manuh, Nana Dansowaa Kena-Amoah and JH Nketia- Left to Right
(Photo Credits: Kwabena Danso)



2. Osei Korankye: Mmaa Moo
Diana Hopeson, President of MUSIGA, supported by Dennis Abeiku hand over Osei Koranye's award
(Photo Credits: Kwabena Danso)

Osei Korankye sings with his Seprewa and the band in the Background
(Photo Credits: Kwabena Danso)


3. Nana Kweku Antwi Asamoah a.k.a Born Africans: Equal Rights
Leslie Hammond supports Nana Dansowaa Kena-Amoah as she gives Born Africans his award.
(Photo Credits: Kwabena Danso)


Collins and the ladies at a video shoot
(Photo Credits: Akofa Anyidoho)

Left to Right: Takyiwaa Manuh (the Covenor of the West Africa Hub), Diana Hopeson (President of MUSIGA), Kwabena Quaku, Prof Akosua Adomako Ampofo (co-lead reseracher for Chnaging Representations of Women in Popular Music Project).
(Photo Credits: Akofa Anyidoho)


*** CLICK ON EACH OF THE IMAGES TO VIEW A LARGER SIZE. Read more about there event here!

Tuesday, October 27, 2009

Monday, May 11, 2009

Women, Peace and Security: Actualising UN Security Council Resolution 1325 in Sierra Leone

Pathways West Africa Hub is launching a research project to monitor and evaluate the implementation of UN Resolution 1325 in post-conflict Sierra Leone, this week. The research will critically analyse the activities and programmes of all stakeholders responsible for the implementation of the resolution and make necessary recommendations to push the process forward. See the full news report in the Awareness Times, published on 6 May 2009.

Saturday, May 2, 2009

Congratulations Prof Takyiwaa Manuh!



On 30th April, 2009, Prof Takyiwaa Manuh gave her inaugural lecture on the topic, “A lawyer in African studies,” outlining her academic path and choices that have mainly been in the African Studies. Her academic interests include African Development, Gender and Women’s Empowerment, Migration and Higher Education. Congratulations!

Thursday, February 12, 2009

Mid-Term Review, Cairo, Egypt 2

More Pictures from the recently held Mid-Term Review:


Andrea Cornwall, Director of Pathways RPC welcoming the conference attendants.
With her, are Takyiwaa Manuh, West Africa Hub Convenor, and Cecilia Sardenberg, Latin America Hub Convenor during the opening session of the MTR


Naila Kabeer speaks on the diverse feminist perspectives in South Asia; Cecilia Sardenberg is quite engrossed by the discussion


Takyiwaa Manuh shares Ghana's experience in response to Anna Alice's presentation in quota systems and women's participation in politics in Brazil




Group discussions on researchers' experiences in being part of Pathways RPC below:









Photo by Akofa Anyidoho

Saturday, January 31, 2009

Mid-Term Review, Cairo, Egypt

The Pathways of Women’s Empowerment Research Project Consortium held its Mid-Term Review from January 20-24th, 2009 in Cairo, Egypt on the theme, “Women’s Empowerment: What are we learning?” This brought together researchers, research assistants and the communications officers from the five regional hubs to discuss research work and progress. The Department for International Development, UK reviewers were also there to offer insightful reviews and comments that would be needed for the 2nd phrase of the RPC. RPC work during the 2nd phase will be mostly focused on publications, paper presentations, policy influencing and communications initiatives as research findings are revealed.

Below are some pictures from the Mid-Term Review Conference:



Mona Ibrahim Ali, Women and Memory Forum, Egypt (front left)



Srilatha Batliwala, AWID and an external reviewer and Naila Kabeer, IDS, and Pathways Theme Covenor for Empowring Work

Naomi Hossain and her co-researchers discuss their work on
Discourses of Women's Empowerment in Bangladesh

Islad Jad responding to one of the presentations

Rosalind Eyben from the Global Hub speaks on her research on different meanings and implications of women's empowerment in global policy spaces.

Dzodzi Tsikata and Akosua Darkwah from the West Africa Hub presenting a paper on their work on Everyday Women's Lives in Ghana


Hania Sholkamy, Egypt speaks on 'just power' in the Middle East

Sohela Nazneen and Charmaine Pereira during a group discussion at the MTR




Photos by Akofa Anyidoho

Monday, December 1, 2008

Obaasima

Akofa Anyidoho participated in the Digital Story-telling Track at the FTX programme in Cape Town from 10-12 November, 2008. Below is a 1:44 minute movie clip, a poetic creation on her thoughts of being a woman, Obaasima, which means 'ideal woman' in Akan. Enjoy.



Wednesday, November 5, 2008

Photo Competition Winning Images

Announcing the Winners of the "Changing Images of Women in Ghana" Photo Competition!



Long time no see by Kwabena Danso
Winning Image

"Intriguing and Ambigious. Woman's presence is intense, can hardly see the man." ~A Judge's Comment

The woman "obviously got it together!"~Another Judge's Comment.


Malaika & Saviour, nursing students off to school by Senyo Ganyo
2nd Winning Image

"The essence of femininity in a stolen private moment," comment by a reviewer.




Beautiful dawn by Kwabena Danso
3rd Winning Image

Abstract but aesthetically good," A judge's comment.




Gloomy Calm by Kwabena Danso
3rd Wining Image, it was a tie. :)


The judging panel:
Tessa Lewin, Communications & Learning Officer-RPC
Anna Kari, Documentography
Guilhem Alandry, Documentography
Akosua Adomako Ampofo, RPC-West Africa Researcher
Nana Akua Anyidoho, RPC-West Africa Researcher


Tuesday, October 21, 2008

Congratulations-Dr. Asiedu!



Awo Mana Asiedu (Dr. ), a lecturer at the Drama Department of the School of Performing Arts and an RPC research partner with the Sexuality them has been promoted to the position of Senior Lecturer.

The RPC West Africa, the entire RPC and partners bid you Congratulations!!!
~~~~~

Tuesday, September 2, 2008

Popular Artistes Workshop

At the Reflection Workshop with Popular Artistes
July 30, 2008


Group Picture taken after the Workshop



WunLove, The Kubolor and Takyiwaa Manuh during discussions


Gyedu Blay Ambolley, a well known popular musician in Ghana


Diana Hopeson, current President of MUSIGA, represents her small group
as she discusses a song text and possible alternatives

Nana Dansowaa Kena-Amoah and Mawell Addo

Nii Armah Dagadu and Dennis Abeiku discussing song texts



Post Workshop dinner

Awo Asiedu in a chat with Soha Rafaat Ibrahim


Mona Ibrahim Ali and Gyedu Blay Ambolley


Akosua Adomako Ampofo and Mona Ibrahim Ali

Pictures by Akofa A. Anyidoho

Sunday, August 31, 2008

Changing Portrayal of Women in Popular Music

‘Let’s have more positive lyrics about women’

Akofa Anyidoho and Nana Dansowaa Kena-Amoah

Daily Graphic, Saturday, August 30, 2008

Page 20, Entertainment



A forum dubbed The Reflection Workshop with Popular Artistes, which brought together researchers, popular artistes, disk jockeys and radio presenters to reflect on the messages encoded in popular song texts about women, was held at the Ellking Hotel in Accra on July 30th. The forum also sought to brainstorm alternative ways that women could be presented in popular music.


In attendance at the workshop which was facilitated by Prof. Akosua Anyidoho, the Director of NYU in Ghana, were RPC colleagues from Nigeria, Drs Bibi Bakare Yusuf and Charmaine Pereira, colleagues from Egypt, Drs Mona Ali Ibrahim and Sofa Rafaat, and from Ghana Prof. Takyiwaa Manuh, Drs Nana Akua Anyidoho and Sika Ahadzie. The project has also been working with the veteran musicologist Prof. John Collins. The musicians and radio presenters who attended the workshop included Mr. Gyedu Blay Ambolley, Mrs. Diana Hopeson, WunLov, DJ Abio, Nana Adjei Denkyebuor, Mr. Nii A. Dagadu, and Mr. Dennis Abieku.


The workshop was part of the research project, Changing Representations of Women in Popular Music, led by Prof. Akosua Adomako Ampofo, Head, Centre for Gender and Advocacy (CEGENSA) and Dr. Awo Mana Asiedu, Theatre Arts, both of the University of Ghana. This project is, in turn, part of larger research endeavour called, Pathways of Women’s Empowerment, involving an international consortium of researchers from academic institutions networking with women’s organisations, women’s rights groups and policy makers to examine and influence policy changes that affect women’s conceptions of empowerment, creating the framework for women in the public sphere and work and changing narratives of women’s sexualities. The Convenor of the West Africa Hub of the project is Prof. Takyiwa Manuh, the Director of the Institute of African Studies, University of Ghana, Legon.


Through an examination of the lyrics of some songs composed mainly by Ghanaian artistes, the participants found that the messages conveyed about women are often negative and tended to reinforce stereotypical societal perceptions of women. For example, they found that some of the songs focused on women’s bodies and portrayed them as sex objects, while others tended to portray women as fickle minded, unfaithful, money lovers, exploitative, competitive, gossips, submissive, jealous, etc.


The participants also found texts that portrayed positive images about women. For example, some of the texts reflected women as keepers of tradition and history, educators, counsellors, hardworking, virtuous, physically beautiful, virtuous, or as selfless and caring mothers/partners. Some of the lyrics on sexuality also portrayed positive notions of desire and female-male physical love. However, these positive representations in the collection of songs were by far fewer.


Discussing the negative representation of women in popular music, the resource person for the workshop, Prof. Akosua Anyidoho, stressed that such images might cause some girls and women to believe that those portrayals are what society expects of them, and they may fail to develop their potentials. She noted that popular music is a very powerful medium for (re)enforcing and dictating what is in vogue/fashionable or acceptable to society. Both the youth and adults look to popular music for relaxation and entertainment. The songs are played on radio and television, and in the latter case typically accompanied by musical videos which often depict women’s bodies through dance (often quite provocative).


Daily we hear music, booming from shops, restaurants, taxis, buses, lorries, etc. Social gatherings such as marriage ceremonies, naming ceremonies, funerals, commissioning of projects, etc. are deemed dull without music. Thus, the whole society, both young and old, is exposed to the songs and the messages musicians convey. The lyrics are repeated in daily conversations, and even children are heard repeating them during their play time in the streets, at school, or at home.


Based on the foregoing, the participants considered alternative representations of women. The artistes and the radio presenters agreed they needed to expose the public to songs that do not stereotype women. According to Diana Hopeson, President of Musicians Union of Ghana (MUSIGA), most songs about women are composed by men. She suggested therefore that women needed to be encouraged and supported to sing about themselves. There were calls to involve female musicians in setting new standards: to write alternative songs texts about themselves.


*** Editorial changes have been made to the original publication that was made in the Daily Graphic, as boldened in the article.

Monday, June 30, 2008

People at the Textual Analysis Workshop

Textual Analysis Workshop- 9th June, 2008


Nana Dansowaa Kena-Amoah, Research Assistant-CEGENSA




Anne-Marie Burgeios, Intern- CEGENSA
and the ICT Directorate



Dzodzi Tsikata, Akosua Darkwa and Nana Akua Anyidoho
WE RPC-Ghana researchers
(Left to Right)


Akosua Adomako Ampofo, Team leader
-Changing Representation of Women in Popular Culture Project


Edward Gborgbor, Research Assistant-CEGENSA and Awo Asiedu, Co-team leader
of Changing Representation of Women in Popular Culture Project
(Left to Right)


Akosua Darkwah and Nana Akua Anyidoho


Akosua Anyidoho, Lingusitics Professor and Coordinator of NYU in Ghana


Textual Analysis tutoring session


Photo Credits: Akofa A. Anyidoho